Wednesday, 21 January 2009
The motif of Skinner’s room recurs through William Gibson’s Bridge trilogy as a place of refuge. It is a shack knocked together from salvage, suspended high on the bridge tower, a place where things and images, old tech and new tech are recombined into makeshift forms. A space for assimilation, where stories are woven together and electricity applied. It is the birds-nest vantage point of a post-devaluation community. In Gibson’s world metaphor is ‘a component like a capacitor’. Here the thought-form fiction of Skinner’s Room is the imaginary location to collect the works manifest in this real life show.