Wednesday, 28 November 2012
bum bomb
Manufacturing a utensil object (for instance, an orbital bomb) only differs from manufacturing a simulacrum (for example the Callipygian Venus) by their contrary pretexts of wasteful experimentation; to wit: the orbital nuke has no other use except to distress the world of sterile usages. However, the Callipygian Venus is just the laughing face of the bomb, which turns utility into derision.
July 1956, backyard of Tony Smith's home
Jackson Pollock, “Untitled” (1956), plaster, sand, gauze, and wire, 9 x 12 x 5 inches
Jackson Pollock, “Untitled” (1956), plaster, sand, gauze, and wire 12 1/4 x 12 x 17 1/2 inches (all images via matthewmarks.com)
Sunday, 25 November 2012
marie-antoinclaudie
klossowski /// living currency // reena spaulings
klossowski /// living currency// jordan levinson
in the beginning of time God made the earth. Not one word was spoken at the beginning that one branch of mankind should rule over another, but selfish imaginations did set up one man to teach and rule over another. winstanley
Saturday, 24 November 2012
endless wedgwood glass animals
one after the other
For Aristotle, the ways in which bees construct their hive in order to shelter their honey and youth, is parallel with the method in plants that produce leaves in order to surround and protect their fruits. Instinctive dispositions in animals like the construction of a hive, the construction of a nest, are comparable to certain modes of growth, which, have a visible finality in plants. What animals do by various movements such as the way bees construct their hive and benefit from the honey comb inside, is the construction of a structure comparable to what we see develop in the growth of a plant, a process with a view towards generation, reproduction. The animal and vegetal world are different, but there is a functional identity.. between these distinct operatory modes. In the less developed, least differentiated animals, the functions that liberate and define other animal forms such as imagination, anticipation. This phantasia aisthetike does not exist in ants worms, or bees, states Aristotle... They work and construct like a plant grows. The society of ants or the society of bees constructs its hive like a plant grows and constructs its branches and leaves during its development. This is where instinct appears. Instinct is a certain faculty of constructing as if it were a way of developing, like that of a plant. What is instinct in animals, is, in plants, the fact of growing in such and such a way, of developing a certain foliar scheme, formula, of the given vegetal form, with very specific characteristics. Consequently, instinct, in as much as it is an operatory mode of construction of a hive or an anthill, instinct is equivalent to a structure of development. It is specific. Instinct is part of specificity, it is a drive in animals and more specifically social animals, which is equivalent to growth defined by specific lines in the plant.
Two Lessons on Animal and Man / Simondon / Univocal Publishing
They
alone hold children in common: own the roofs
of
their city as one: and pass their life under the might of the law.
They
alone know a country, and a settled home,
and
in summer, remembering the winter to come,
undergo
labour, storing their gains for all.
For
some supervise the gathering of food, and work
in
the fields to an agreed rule: some, walled in their homes,
lay
the first foundations of the comb, with drops of gum
taken
from narcissi, and sticky glue from tree-bark,
then
hang the clinging wax: others lead the mature young,
their
nation’s hope, others pack purest honey together,
and
swell the cells with liquid nectar:
there are those whose lot is to guard the gates,
there are those whose lot is to guard the gates,
and
in turn they watch out for rain and clouds in the sky,
or
accept the incoming loads, or, forming ranks,
they
keep the idle crowd of drones away from the hive.
Friday, 23 November 2012
Wednesday, 21 November 2012
Saturday, 17 November 2012
Wednesday, 14 November 2012
william faithorne
‘The Embleme of Englands distractions as also of her attained, and further
expected Freedome, & Happines’ (1658), traditionally known as ‘Cromwell between
Two Pillars’
The Wilkinson Head of Oliver Cromwell and Its Relationship to Busts, Masks and Painted Portraits
Labels:
alciato,
armour,
basing house,
beheading,
cromwell,
emblem,
faithorne,
print,
robert peake,
vexillology
Tuesday, 13 November 2012
henry's little bronze horse
pacing horse /// pietro tacca ///
Kings in old legends seem
Like mountains rising in the evening light.
They blind all with their gleam,
Their loins encircled are by girdles bright,
Their robes are edged with bands
Of precious stones—the rarest earth affords—
With richly jeweled hands
They hold their slender, shining, naked swords
rilke / book of pictures
Kings in old legends seem
Like mountains rising in the evening light.
They blind all with their gleam,
Their loins encircled are by girdles bright,
Their robes are edged with bands
Of precious stones—the rarest earth affords—
With richly jeweled hands
They hold their slender, shining, naked swords
rilke / book of pictures
Labels:
anchor,
armour,
blazon,
brick,
bronze,
equestrian portrait,
feather,
fortuna,
harness,
henry prince of wales,
heraldry,
jewel,
rilke,
robert peake,
sword
all this new work
whoever shall come for brick or for stone shall freely have the same for his pains
Commons Journals IV 309
La Dialectique Peut-Elle Casser Des Briques?
Hylomorphism
Aristotle - clay is matter relative to a brick because a brick is made of clay, whereas bricks are matter relative to a brick house.
Aquinas - tiny pieces of brick remain in existence when the house goes out of existence... there can be no fireplace if the surrounding house has been torn down. We might say this pile of bricks once was the chimney, we cannot say that it is the chimney... characterised as a brick it still exists...
http://www.themasonictrowel.com/Articles/General/other_files/an_operative_bricklayer_builds_speculative_wall.htm
6.4 The Knocks
You will notice in the laying of the blocks you always hear
the ringing of the trowel. This is music to the Brickie's ears since it
indicates bricklayers at work which means money, security, and the good things
of life. In like manner the knocks in a speculative lodge when heard outside the
door indicate that the speculative masons are at work .... There is a certain
rythem to the knocks. In the first degree they always remind me of the pound
pound pound of an apprentice .... But by the time they get to the Third Degree
they carry the sound of Mozart's Magic Flute .... And have the characteristic of
a Master Mason lightly touching the block into its appointed place.
clairefontaine
Sunday, 11 November 2012
block
The struggle for depth (presence) is always effaced (blocked and/or hijacked) by surface-as-information (mediation),or that information flowing through mediatic (mediatized) capital and across the face of commercial architectures as
both style and apparent “surplus” value.
Saturday, 10 November 2012
3D prototyping // ceann mor
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\/_/_\_<_ _="" br="" nbsp="">
/\ \L\ \\ \ \_\ \ /\__, `\/\ \__//\ \L\.\_/\ \/\ \/\ \/\ \ \ \/\ \/\ \/\ \L\ \
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\/___/ \/___/ \/___/ \/____/\/__/\/_/\/_/\/_/\/_/\/_/\/_/\/_/\/_/\/___L\ \
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\_/__/
Friday, 9 November 2012
Tuesday, 6 November 2012
donkey rainbow pony sunspot
11 Can an ass be tragic? To perish
under a burden one can neither bear nor
throw off? The case of the philosopher.
Monday, 5 November 2012
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