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There is, however, an alternative to this incomplete semiology. It is based on the general hypothesis that the efficacy of these images is not due solely to the transmission of knowledge—visible, legible, or invisible—but that, on the contrary, their efficacy operates constantly in the intertwinings, even the imbroglio, of transmitted and dismantled knowledges, of produced and transformed not-knowledges. Something like a suspended attention, a prolonged suspension of the moment of reaching conclusions, where interpretation would have time to deploy itself in several dimensions, between the grasped visible and the lived ordeal of a relinquishment. There would also be, in this alternative, a dialectical moment—surely unthinkable in positivist terms—consisting of not-grasping the image, of letting oneself be
grasped by it instead: thus of...
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