He can boast an extraordinary discovery; he was the first to perceive the revolutionary energies that appear in
the "outmoded", in the first iron constructions, the first factory
buildings, the earliest photos, the objects that have begun to be
extinct, grand pianos, the dresses of
five years ago, fashionable restaurants when the vogue has begun to ebb
from them. The relation of these things to revolution - no one can have
a more exact concept of it than these authors. No one before these
visionaries and augurs perceived how destitution - not only social but
architectonic, the poverty of interiors, enslaved and enslaving objects -
can be suddenly transformed into revolutionary nihilism ... Breton and
Nadja are the lovers who convert everything we have experienced on
mournful railway journeys ... on Godforsaken Sunday afternoons in the
proletarian quarters of the great cities, in the first glance of the
rain-blurred window of a new apartment, into revolutionary experience,
if not action. They bring the immense forces of "atmosphere" concealed
in these things to the point of explosion.
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