In London Paul Pretsch patented a process called "photo-galvanography" for the printed reproduction of photographs.
The first print that Pretsch issued was called "Scene in Gaeta after the Explosion." It was "the first relief half-tone and the first commercial use of half-tone" (Printing and the Mind of Man. Catalogue of the Exhibitions Held at the British Museum and at Earls Court, London [1963] no. 629).
The History of Electrolytic Printmaking
The first print that Pretsch issued was called "Scene in Gaeta after the Explosion." It was "the first relief half-tone and the first commercial use of half-tone" (Printing and the Mind of Man. Catalogue of the Exhibitions Held at the British Museum and at Earls Court, London [1963] no. 629).
The History of Electrolytic Printmaking
Published: March 2, 1861
Correspondence of the Paris Presse.
CASTELLONE, Thursday, Feb. 7, 1861.
Already the other day a powder magazine burst at the
south extremity of the Philippstadt Battery, causing considerable loss
to the enemy; but I have now to record a far more terrible explosion.
Yesterday, about 5 o'clock in the afternoon a shell from the Predmontese
lines on the right penetrated into one of the powder magazines, which
blew up and set fire to the great reserve store of projectiles, which
blew up likewise. The explosion was so terrible that the report was
reechoed from the most distant valleys for a long time. A French vessel,
although six miles from Gaeta, felt the shock. I had left the village
about 4 o'clock to take a stroll through the mountains leading to
Castello Onorato, when, reaching the summit of a small hill which
commands a view of the gulf and the whole neighborhood, I was almost
thrown to the ground by the effect of the explosion which had just taken
place to my left. I turned my gaze towards Gaeta, and was horrified at
the immense masses of ruin, some pieces high in the air, amidst a black
smoke and tongues of flame which lighted up the spires of the town. It
was something horrible, and reminded me of PLINY the Younger's
description of an eruption of Mount Vesuvius in a letter to TACITUS,
narrating the destruction of Herculaneum and Pompeii. I hastily
descended into the valley, and on reaching Castellone I was informed
that the explosion had not only caused the death of some hundred
Neapolitan soldiers, but that also a considerable number of living
beings were still under the ruins.
During the stillness of the night we could discern
the stifled cries of those unfortunate men, as General CIALDINI had
humanely ordered all firing to cease. A Neapolitan messenger arrived
requesting an armistice of forty-eight hours. He asked for it in the
name of humanity, for, he said, it was impossible to ascertain the
number of victims buried in the ruins by the explosion. You will easily
agree with me that cool reason of interest might have advised CIALDINI
to refuse the request of the military Governor of Gaeta. For a bold and
daring General like CIALDINI, it was an admirable opportunity to attempt
a coup de main, which probably would have succeeded. Not listening to
the voice of interest, the Piedmontese General did not hesitate for a
moment to grant a suspension of hostilities, on the sole condition that
the besieged should not work at repairing the breach made recently by
the Piedmontese. We shall thus have an armistice, which will terminate
to-morrow morning, and in forty-eight hours I may have great results to
record. I do not believe, as is reported here, that FRANCES II, has made
any proposals for a capitulation, which must follow sooner or later.
The battery on the sea side has been much damaged by the fire from the
Sardinian frigate Garibaldi. Her daring Captain took up a position only
1,000 metres from the curtain, and kept up a continual fire for an hour
and a-half.
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