In the early 1970s there was an advertisement shown in Paris movie
theaters that promoted a well-known brand of French stockings, 'Dim'
stockings. It showed a group of young women dancing together. Anyone
who ever watched even a few of its images, however distractedly, would
have a hard time forgetting the special impression of synchrony and
dissonance, of confusion and singularity, of communication and
estrangement that emanated from the bodies of the smiling dancers. This
impression relied on a trick: Each dancer was filmed separately and
later the single pieces were brought together over a single sound track.
But that facile trick, that calculated asymmetry of the movement of
long legs sheathed in the same inexpensive commodity, that slight
disjunction between the gestures, wafted over the audience a promise of
happiness unequivocally related to the human body.
Agamben, The Coming Community
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