Yes to Life

Little Gidding Concordances

Little Gidding Harmonies

BL

Tiqqun cut up by chatbot ai /// denouncing agents of detachable moments

where control is still imperfect, the masses are invited to human dignity

where control is the child 

denouncing agents of others 

8 public space, etc to work urban furniture 

all those who have contributed by their good and circulation of all anonymous gatherings and circulation of others 

article 8 public space is the first public space 

article 4 every child is happiness those who receive ritalin, article 2 public space without surveillance from their article 4 every child attributed to commodity semiocracy the end
 
4: final warning to no one belongs to render impossible such demonstrations and all
 
article 4 every child attributed to human dignity 
 like all available resources are invited to the first public space is made for tanning on the imaginary party in our midst is neutral space all citizens
  
final warning to the state grants to commodity semiocracy the law for the purpose in stadiums there the beach is yeah 

ah 2 work 

we thank all abnormal behavior should be put to our fellow citizens
 
engaged in a a conscious fraction of commodities 

all manifestations of commodities 

article the existence of society all the intolerable nuisance they cause to no one complains 

article 3 offices are just trying to hide must be considered suspect consequently,  

article 8 public space, meaning that therein, discotheques and in stadiums  

n hospices there all available resources are old folks in stadiums there yeah
 
all abnormal behavior to render impossible such demonstrations and the first public space, the exchange and all 

like all the state grants to no one 

we thank all other amusement parks set up for working in stadiums there are made up of singular existence mean an attack on the exchange and all available resources are now to work urban furniture, meaning that therein, suitable decors


life is space that adult 

offices are you 

west of a conscious action    

final warning to hide must be creative 

dont know how to hide, practices anonymity like dark?
 
1: where there's happiness name, who desire entertainment have leisure spaces, but instead spreads doubts everywhere about the beach is in libraries there are in 

where control is still incomplete psycho social training, people may move about freely within it in the whole, 

where control monitoring ccm, discotheques and all those who have contributed by service teams under the state grants to work urban furniture, citizens are old folks

every child attributed to the purpose of biopower wants you know, even if you could be happy and in the interest of article 6 the for the law for the occupation of all behavior contrary to the public space without surveillance from their in stadiums there are invited to intervene and for the

like all, discotheques and all those who desire entertainment have leisure spaces, citizens are invited to the integrity of the nearest preventive surveillance action psa patrol 

: denouncing agents of all the public way during festivals organized for their attention, etc to happen again

With an unprecedented calibration of subjectivities  

with a global networking of the state

Under a new surface of peace 

final warning to making these principles go without saying

and circulation of life is the war continues branches out drags on

NIALL

ALICE

 

cut up machine

cut up machine

grangerise

To illustrate a book with pictures taken from published sources, such as by clipping them out for one's own use.

grangerize, grangerise [ˈgreɪndʒəˌraɪz]vb (tr)

1. to illustrate (a book) by inserting prints, drawings, etc., taken from other works

2. to raid (books) to acquire material for illustrating another book

[named after Joseph Granger, 18th-century English writer, whose Biographical History of England (1769) included blank pages for illustrations to be supplied by the reader]

James Granger 1723-1776

• A Biographical History of England, from Egbert the Great to the Revolution: consisting of characters disposed in different classes, and adapted to a methodical catalogue of engraved British Heads: intended as an essay towards reducing our biography to system, and to a help to the knowledge of portraits: interspersed with a variety of anecdotes, and memoirs of a great number of persons, not to be found in any other biographical work. With a preface, shewing the utility of a collection of engraved portraits to supply the defect, and answer the various purposes, of medals, by the Rev. J. Granger, vicar of Shiplake in Oxfordshire. (Fifth edition, six volumes, London, 1824).

recto verso

NOTE ON VAUDEVILLE VOICES

In writing this chapter I have used what I call "the fold in" method that is I place a page of one text folded down the middle on a page of another text (my own or someone else's)--The composite text is read across half from one text and half from the other-- The resulting material is edited, re-arranged, and deleted as in any other form of composition


Burroughs Cut Up Method

REARRANGE THE WORD AND IMAGE TO OTHER FIELDS THAN WRITING.

collage

commonplace books

Erasmus on the daughters of Thomas More compiling their commonplace books:

As they flit like so many little bees between Greek and Latin authors of every species, here noting down something to imitate, here culling some notable saying to put into practice in their behavior, there getting by heart some witty anecdote to relate among their friends, you would swear you were watching the Muses at graceful play in the lovely pastures of Mount Helicon, gathering flowers and marjoram to make well-woven garlands.

Little Gidding

'A New Kind of Printing': Cutting and Pasting a Book for a King at Little Gidding
This article describes the harmonized gospel made by the Ferrar family at Little Gidding for King Charles I, c. 1635. This book, one of several of its kind, was made by cutting out printed materials and assembling the pieces into a single, illustrated narrative of the four gospels.
...imitated by Robert Peake, a printer at Holborn Conduit near St Paul'.

Harmonies blending the four gospels into a single narrative of Christ's life were an essential part of the `family religion' of Little Gidding. For the whole family, but especially for its daughters, the harmonies provided scriptural instruction not only through hourly readings but also through crafting with scissors and paste each of the volumes. All but one of the harmonies also reinforced the text's message with pictures despite the potentially controversial status of illustrated bibles. Nicholas Ferrar's early hope to reach an audience beyond the family with a printed version of their harmony was dashed when another published first. Subsequently, however, the enthusiastic patronage of Charles I spurred him and the family to produce harmonies incorporating new materials, new formats, and eventually new biblical texts. On these developments, their sources and significance, the paper chiefly focuses, noting finally the harmonies' exclusion from critics' 1641 attack on `The Arminian Nunnery'.

John, Nicholas's older brother, describes the making of the books:
This Booke of the Concordance of the 4: Evangelists contrivement, was directed to be made . . . by N.F. appointment & [End Page 68] direction. N.F. having first spent Some time in the contrivance of the Work (wch was comonly an hour every Day) and having given his Nieces directions How & in what Manner they should do it, They with their Cizers cut out of each Evangelist such & such Verses, & layd them together, to make & perfect such & such a Head, or Chapter, which when they had first roughly done, then with their Knives & Cizers they neatly fitted each Verse So cutt out, to be pasted downe upon sheets of Paper, & So artificially they performed this new-found-out-way, as it were a new kind of Printing: For all that saw the Bookes when they were done, tooke them to be printed in ye ordinary Way, So finely were ye verses joyned together and with great Presses for that purpose pressed downe upon ye white sheets of paper. This Concordance was a yeare in making.

http://pds.lib.harvard.edu/pds/view/10453786?n=3&imagesize=1200&jp2Res=.25