Showing posts with label glory. Show all posts
Showing posts with label glory. Show all posts

Tuesday, 16 August 2016

glorying

Joy, arising from imagination of a man's own power and ability, is that exultation of the mind which is called glorying … Sudden glory is the passion which maketh those grimaces called laughter, and is caused either by some sudden act of their own that pleaseth them, or by the apprehension of some deformed thing in another, by comparison whereof they suddenly applaud themselves.

It is manifest that during the time that men live without a common power to keep them all in awe, they are in that condition which is called war; and such a war as is of every man against every man… In such condition, there is no place for industry, because the fruit thereof is uncertain; and consequently no culture of the earth, no navigation, no use of the commodities that may be imported by the sea, no commodious building, no instruments of moving and removing such things as require much force, no knowledge of the face of the earth, no account of time, no arts, no letters, no society, and that which is worst of all, continual fear and danger of violent death, and the life of man solitary, poor, nasty, brutish and short.

Hobbes / Leviathan

Friday, 21 September 2012

Halt Mass




Germany
Dated AD 1515
Printed from 192 individual blocks
The Triumphal Arch is one of the largest prints ever produced. It was commissioned by the Holy Roman Emperor Maximilian I (1459-1519). The programme was devised by the court historian and mathematician, Johann Stabius, who explains underneath that it was constructed after the model of 'the ancient triumphal arches of the Roman Emperors'.
Above the central arch, entitled 'Honour and Might', is a genealogy of Maximilian in the form of a family tree. Above the left arch, 'Praise', and the right arch, 'Nobility', are represented events from his life. These are flanked by busts of emperors and kings on the left, and a column of Maximilian's ancestors on the right. The outermost towers on either side show scenes from the private life of Maximilian.  The architect and painter Jörg Kölderer designed the overall appearance of the structure, and Dürer designed the individual scenes and architectural elements, some of which he sub-contracted to his pupils Hans Springinklee and Wolf Traut, and Albrecht Altdorfer of Regensburg.    BM

Friday, 27 July 2012

protocols of escape / suffocating town

...besides, people around here are obsessed with anything like that -safari parks, dolphinaria, stunt flying, it's all the same to them, they're forever dressing up as beefeaters or Hanoverian infantry and re-enacting the battle of Austerlitz...

ballard/ the unlimited dream company


the "political action" which is at stake ... is ... liturgy [ returned to its etymological meaning  of "public practice".]

agamben / the kingdom & the glory