ovum anguinum

There is also a sort of egg, famous in the provinces of Gaul, but ignored by the Greeks. Innumerable snakes coil themselves into a ball in the summertime. Thus they make it so that it is held together by a bodily secretion and by their saliva. It is called an anguinum. The Druids say that [the snakes] hiss and cast it upwards, and that it is to be caught in a cloak so that it not touch the ground. One must immediately ride off on a horse with it, for the snakes will continue to pursue until the course of a stream blocks their way. If one tests it, the anguinum will float against the current of a river even when covered in gold. And, as the magi will throw a cloak of deception over their trickery, they make out as though the eggs are to be taken only on a particular point in the lunar cycle, as though it was up to human beings to determine the snakes’ role in this procedure. Nonetheless, I have seen one of these eggs myself. It was round the size of a small apple. The shell was cartilaginous, and mottled with cups like the tentacles of a squid. The Druids value it highly: it is praised as insuring success in litigation and in going to audiences with kings. However, this is nonsense; for once a man (a Roman knight and a tribesman of the Vocontii) held one of these eggs against his body during a trial, and was condemned to death by the Emperor Claudius, for that reason alone so far as I can tell.

https://books.google.co.uk/books?id=F7pZfLUoHJIC&pg=PA279&lpg=PA279&dq=Shepherds%27+crowns,+fairy+loaves+and+thunderstones:+the+mythology+of+fossil+echinoids+in+England&source=bl&ots=vOaKkqEfKL&sig=KgjEwynw9hh9u6PilNtvGn7tzPg&hl=en&sa=X&ved=0CDAQ6AEwAmoVChMIu_6DvM-DxgIVg0bbCh26kACs#v=onepage&q&f=false

Llhuyd informs us that "the Cornish retain a variety of charms, and have still towards the Land's-End, the amulets of Maen-Magal and Glain-neider, which latter they call Melprer, and have a charm for the snake to make it, when they find one asleep, and stick a hazel wand in the centre of her spirae," or coils. The rings thus generated are called Gleiner-nadroeth, or snake-stones.   

Where is Sisyphus now? Using the analog sticks on the game controller, you move a little character who rolls a ball called a Katamari. The game is called Katamari Damacy.* The name translates roughly as ‘clump spirit’, which might in turn translate as ‘analog’. As the Katamari ball rolls, things stick to it. At first it is small things that stick, household items picked up off the living room floor. The ball gets bigger as things stick, and so it can pick up bigger things. Once your ball is big enough, you move out of the house and into the world. To move the ball, you twizzle the little analog joysticks. Push the sticks forward, and the character rolls the ball forward. Pull the sticks back and the character rolls the ball back. Turn left, turn right — it feels as though the variable pressure on the sticks translates into variable movements. This is analog — a relation of continuous variation. Only it isn’t really. It is a digital game. The game converts the continuous movement of your thumbs on the sticks into a digital code. It turns movements into decisions — back/forwards, left/right, stop/start. An algorithm calculates the outcome of each movement. If you roll your ball over a small object, you pick it up. If you roll your ball over one that is too big, you collide with it, throwing off a few things you have already gathered. Analog spirit becomes digital code (see Fig. D).But in Katamari Damacy, things are different. Rather than the rolling of the ball being entirely useless, now it is entirely purposeful. Time, like space, no longer harbors indifference. Brenda Laurel:”…even the smallest fragments of your idle time have been colonized…”. As you roll your ball around, making it bigger and bigger, an icon in the corner of the screen shows your progress. The icon shows your ball as a circle inside a larger one, which is the size it must grow to if you are to win this level. It grows, gradually, incrementally, but at some point — a decision. Big enough! An analog progression stops at the digital threshold.*katamari

https://echinoids.wordpress.com/https://echinoids.wordpress.com/


 

white-eyed girl-boy

http://www.digra.org/wp-content/uploads/digital-library/06278.21161.pdf


Almost all interviewees described 'white-eyed players' as a 'special type of people'. adding such comments as 'I don't know them' and 'they're not my kind'.

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The Dialogical Avatar Donna Haraway

“Anytime we’re talking about cultural objects like Avatar, in a corporate dominant culture, we are playing with fire, clearly. When the so-called indigenous is so-called natural, the extraordinary naturalization of the indigenous, no matter how talented, no matter how really, really, really, really great, no matter how many inventions they may have invented. But it requires the other half of the equation, which is a particular production of whiteness. Even though there were plenty of people of color occupying the category of whiteness in that film. Whiteness is a space to occupy for those who are associated with the technologies of conquest, extraction, commerce, etc. and that strikes me. Both of those two require each other. And actual, living people believe these things of each other, to damaging degrees. Such that I know no small number of white people, some of whom I’ve found in my own skin, at various moments, you know, who somehow feel less able to speak up, in a critical way, in a conversation with someone who is produced as more natural. Whether it’s in an indigenous rights discussion, a discussion about who owns race, class, and gender properties, and so on, and so on. The very much in-play ways that these story-fragments continue to set people out around these nature/technology contrasts, to perpetuate the trouble – people actually inhabit these imagined positions and do it to one another, including doing it to oneself.”

http://tripleampersand.org/donna-haraway-the-dialogical-avatar/


 

white-eyed girlboy

white-eyed
grief play

griefer


governance

boo hoo

welcome

Mary in the Black and White Room

ansel adams zone system

0	Pure black
I	Near black, with slight tonality but no texture
II	Textured black; the darkest part of the image in which slight detail is recorded
III	Average dark materials and low values showing adequate texture
IV	Average dark foliage, dark stone, or landscape shadows
V	Middle gray: clear north sky; dark skin, average weathered wood
VI	Average Caucasian skin; light stone; shadows on snow in sunlit landscapes
VII	Very light skin; shadows in snow with acute side lighting
VIII	Lightest tone with texture: textured snow
IX	Slight tone without texture; glaring snow
X	Pure white: light sources and specular reflections

Summa Theologiae

http://lensbased.net/files/catastrophe/GEORGES%20DIDI%20HUBERMAN,%20CONFRONTING%20IMAGES.pdf

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There is, however, an alternative to this incomplete semiology. It is based on the general hypothesis that the efficacy of these images is not due solely to the transmission of knowledge—visible, legible, or invisible—but that, on the contrary, their efficacy operates constantly in the intertwinings, even the imbroglio, of transmitted and dismantled knowledges, of produced and transformed not-knowledges. Something like a suspended attention, a prolonged suspension of the moment of reaching conclusions, where interpretation would have time to deploy itself in several dimensions, between the grasped visible and the lived ordeal of a relinquishment. There would also be, in this alternative, a dialectical moment—surely unthinkable in positivist terms—consisting of not-grasping the image, of letting oneself be

grasped by it instead: thus of...

albedo

RTI // Taplow

Albedo (/ælˈbiːdoʊ/), or reflection coefficient, derived from Latin albedo "whiteness" (or reflected sunlight) in turn from albus "white," is the diffuse reflectivity or reflecting power of a surface. It is the ratio of reflected radiation from the surface to incident radiation upon it. Its dimensionless nature lets it be expressed as a percentage and is measured on a scale from zero for no reflection of a perfectly black surface to 1 for perfect reflection of a white surface.

http://gfx.cs.princeton.edu/pubs/Toler-Franklin_2007_IOC/rgbn.pdf

Abstract

This paper investigates the creation of non-photorealistic illustrations from a type of data lying between simple 2D images and full 3D models: images with both a color (albedo) and a surface normalstored at each pixel. Images with normals combine an acquisition process only mildly more complex than that for digital photographs (and significantly easier than 3D scanning) with the power and flexibility of tools similar to those originally developed for full 3D models. We investigate methods for signal processing on images with normals, developing algorithms for scale-space analysis, derivative (i.e., curvature) estimation, and segmentation. These are used to implement analogues of stylized rendering techniques such as toon shading, line drawing, curvature shading, and exaggerated shading. We also introduce new stylization effects based on multiscale mean curvature shading, as well as fast discontinuity shadows. We show that our rendering pipeline can produce detailed yet understandable illustrations in medical, technical, and archaeological domains.

30 January 1927

But I also came across a real parrot, a white macaw: on Miasnitskaia, sitting on a basket containing linen goods a woman was selling to passers-by.


Judith Butler on Benjamin's Theses on the Philosophy of History

black box white box

black box testing where you don’t know what is in the box , testing functionality, behaviour of overall system, u know the requirements that went into the code.

With (Hegel, the dialectic) is standing on its head. It must be turned right side up again, if you would discover the rational kernel within the mystical shell

Marx/Kapital/Afterword to second section

white box testing –you can look at algorithm / source code

horse by vera, tune by edward

On Monday the second of November, the ninth day…

This night came upon him greater alienations of braine, ravings and idle speeches out of purpose, calling for his cloathes and his rapier, &c. saying, he must be gone, he would not stay, and I know not what else, to the great griefe of all who heard him, whose hopes now began to vanish.

La la, la, la la la la, la la la, la, la
La la, la, la la la la, la la la, la, la
La la, la, la la la la, la la la, la, la
La la, la, la la la la, la la la, la, la
La, la, la la la la, la la la, la, la
La la, la, la la la la, la la la, la, la
La, la, la la la la, la la la, la, la
La la, la, la la la la, la la la, la, la

W.S.W

In the evening he rides out with Persian friends on a white horse with its tail dyed scarlet.

The remains of the late Lord Viscount Royston

habeas corpus / techniques of the observer

stoat / Mustela erminea

stoat tooth burnisher
as recommended by Hilliard for the burnishing of silver when painting false jewels.





Ermines is a black field with white spots. A gold background with black ermine spots is styled erminois, and pean is a black ground with gold ermine spots. Erminites is supposed to be white with black ermine spots and a red hair on each side of the spots.














a white stoat would die before allowing its pure white coat to be besmirched

poison apple

[bolder], falser colours are possible; that combs are red and green is not surprising, surprises no one. Snow White’s stepmother had such things. And when the comb did not do its work, a red-green apple was needed.

What is well known and accepted is that Alan Turing died of cyanide poisoning.
His housekeeper famously found the 41-year-old mathematician dead in his bed, with a half-eaten apple on his bedside table.
It is widely said that Turing had been haunted by the story of the poisoned apple in the fairy tale of Snow White and the Seven Dwarves, and had resorted to the same desperate measure to end the persecution he was suffering as a result of his homosexuality.
But according to Prof Copeland, it was Turing's habit to take an apple at bedtime, and that it was quite usual for him not to finish it; the half-eaten remains found near his body cannot be seen as an indication of a deliberate act.

Indeed, the police never tested the apple for the presence of cyanide.

§ 97

Spirit is essentially the result of its own activity; its activity is the transcending of immediate, simple, unreflected existence, — the negation of that existence, and the returning into itself. We may compare it with the seed; for with this the plant begins, yet it is also the result of the plant's entire life. But the weak side of life is exhibited in the fact that the commencement and the result are disjoined from each other. Thus also is it in the life of individuals and peoples. The life of a people ripens a certain fruit; its activity aims at the complete manifestation of the principle which it embodies. But this fruit does not fall back into the bosom of the people that produced and matured it; on the contrary, it becomes a poison-draught to it. That poison-draught it cannot let alone, for it has an insatiable thirst for it: the taste of the draught is its annihilation., though at the same time the rise of a new principle.

black cat/ white cat

Smoker, a creature of the lightless depths, where life as we on the surface know it cannot exist, brought light and color with him as colors pour from tar

Margaras / the Tracker
He can hide in snow and sunlight on white walls and clouds and rocks, he moves down windy streets with blown newspapers and shreds of music and silver paper in the wind

burroughs/ western lands

pearly king

Nacre appears iridescent because the thickness of the aragonite platelets is close to the wavelength of visible light. This results in constructive and destructive interference of different wavelengths of light, resulting in different colors of light being reflected at different viewing angles.

The layers of nacre smooth the shell surface and help defend the soft tissues against parasites and damaging debris by entombing them in successive layers of nacre, forming either a blister pearl attached to the interior of the shell, or a free pearl within the mantle tissues. The process is called encystation and it continues as long as the mollusk lives.

I fainted with pain, and the horror of that dim milk-white panic is as ineffaceable as the scar my flesh still bears
Herbert Read / The Innocent Eye

aristotle/ history of animals - the soft parts / milk

5. The soft parts are either entirely so, or so long as they are in a natural condition, as blood, serum, fat, tallow, marrow, semen, gall, milk [in those animals that give milk], flesh, and other analogous parts of the body. In another manner also the excretions of the body belong to this class, as phlegm, and the excrements of the abdomen and bladder; the hard and dry parts are sinew, skin, vein, hair, bone, cartilage, nail, horn, for that part bears the same name, and on the whole is called horn, and the other parts of the body which are analogous to these.

the immortal horses

Homer, Iliad 17. 426 ff :
"But the horses of Aiakides [Akhilleus] standing apart from the battle wept, as they had done since they heard how their charioteer[Patroklos] had fallen in the dust at the hands of murderous Hektor. In truth Automedon, the powerful son of Diores, hit them over and over again with the stroke of the flying lash, or talked to them, sometimes entreating them, sometimes threatening. They were unwilling to go back to the wide passage of Helle and the ships, or back into the fighting after the Akhaians, but still as stands a grave monument which is set over the mounded tomb or a dead man or lady, they stood there holding motionless in tis place the fair-wrought chariot, leaning their heads along the ground, and warm tears were running earthward from underneath the lids of the mourning horses who longed for their charioteer, while their bright manes were made dirty as they streamed down either side of the yoke from under the yoke pad.
As he watched the mourning horses the son of Kronos [Zeus] pities them, and stirred his head and spoke to his own spirit : `Poor wretches, why then did we ever give you to the lord Peleus, a mortal man, and you yourselves are immortal and ageless? Only so that among unhappy men you also might be grieved? Since among all creatures that breathe on earth and crawl on it there is not anywhere a thing more dismal than man is. At least the son of Priam, Hektor, shall not mount behind you in the carefully wrought chariot. I will not let him. Is it not enough for him that he has the armour and glories in wearing it? But now I will put vigour into your knees and your spirits so that you bring back Automedon out of the fighting safe to the hollow ships . . .'
So spoke Zeus, and breathed great vigour into the horses, and they shaking the dust from their manes to the ground lightly carried the running chariot among Akhaians and Trojans."

Homer, Iliad 19. 392 ff :
"Automedon and Alkimos, in charge of the horses, yoked them, and put the fair breast straps about them, and forced the bits home between their jaws, and pulled the reins back against the compacted chariot seat, and one, Automedon, took up the shining whip caught close in his hand and vaulted up to the chariot, while behind him Akhilleus helmed for battle took his stance shining in all his armour like the sun when he crosses above us, and cried in a terrible voice on the horses of his father : `Xanthos, Balios, Bay and Dapple, famed sons of Podarge, take care to bring in another way your charioteer back to the company of the Danaans, when we give over fighting, not leave him to lie fallen there, as you did Patroklos.’
Then from beneath the yoke the gleam-footed horse answered him, Xanthos, and as he spoke he bowed his head, so that all the mane fell away from the pad and swept the ground by the cross-yoke; the goddess of the white arms, Hera, had put a voice in him : `We shall still keep you safe for this time, o hard Akhilleus. And yet the day of your death is near, but it is not we who are to blame, but a great god and powerful Destiny. For it was not because we were slow, because wee were careless, but it was that high god, the child of lovely-haired Leto [Apollon], who killed him among the champions and gave the glory to Hektor. But for us, we two could run with the blast of the West Wind (Zephryos) who they say is the lightest of all things; yet still for you there is destiny to be killed in force by a god and a mortal.’
When he had spoken so the Erinyes stopped the voice in him, but deeply disturbed, Akhilleus of the swift feet answered him : `Xanthos, why do you prophesy my death? This is not for you. I myself know well it is destined for me to die here far from my beloved father and mother.'"

weißer Schimmel

A white horse is called a Schimmel in German, and hence a "white white-horse" is a redundancy.(There is no other Schimmel but a white one).

..................................................................................................
How is it to be done? The question is how. Not what
a being, a gesture, a thing is, but how it is what it is,
How its predicates relate to it.
And it to them.
Let it be. Leave the gap between the subject and its
predicates. The abyss of presence.
A man is not 'a man'. 'White horse' is not 'horse'.

How it is to be done? Tiqqun p19

suffrage parade

Description: Inez Boissevain, wearing white cape, seated on white horse at the suffrage parade in Washington, D.C., 1913.





















Queen Elizabeth riding the chariot of Fame.
Sir William Teshe, 1570. BL Sloane MS 1832