Showing posts with label studio. Show all posts
Showing posts with label studio. Show all posts
Monday, 27 February 2017
Friday, 12 August 2016
Saturday, 17 October 2015
Sunday, 26 April 2015
Sunday, 9 November 2014
Sunday, 19 October 2014
Tuesday, 22 July 2014
Saturday, 26 April 2014
Wednesday, 14 August 2013
Saturday, 30 March 2013
decrepitude
In 1865 Baudelaire writes to Manet, in an ambiguous compliment, that he is the first in the‘decrepitude’ of his art.
Charles Baudelaire, Correspondance, Paris 1973, vol. 2, p. 497.
The quality or condition of being weakened, worn out, impaired, or broken down by old age, illness, or hard use.
Charles Baudelaire, Correspondance, Paris 1973, vol. 2, p. 497.
The quality or condition of being weakened, worn out, impaired, or broken down by old age, illness, or hard use.
Labels:
baudelaire,
foster,
Gustave Courbet,
manet,
poor image,
studio
Tuesday, 29 January 2013
Friday, 4 January 2013
techniques of ecstasy
Reification, the Marxist scholar Tom Bottomore writes, is the “most radical and widespread form of alienation characteristic of modern capitalist society,” the transformation of “human properties, relations and actions into properties, relations and actions of man-produced things which have become independent of man and govern his life
the cowboy philosopher
Tuesday, 7 June 2011
Friday, 20 May 2011
Wednesday, 27 April 2011
Wednesday, 13 April 2011
zwischenspiel
Marker 1 00:00:00:00
Empty, brown, wooden chair facing camera. Some pale paint marks on the chair. The background is a white room, a drip of paint on the wall to the upper right. Sticks lean into the wall at an angle behind the chair.
so what are you thinking?
Marker 2 00:02:30:00 traffic sounds
Figure framed head and shoulders against white wall. Single pin in wall upper left, pencil line marks a level. Shot angled upwards. Head three-quarters turned to right. Chin raised, eyes looking out of frame downwards to right. Brows furrowed.
press record as you're playing
Marker 3 00:05:00:00
Entreaty/ emphasis.
Seated figure framed centrally in shot. Left hand extended palm upwards .
Direct eye contact. Light falls obliquely from the window to the right bleaching the left side of the face.
Drips on wall, trailing electric cables, blue painted panel to right of shot.
do what I'm doing right now
Empty, brown, wooden chair facing camera. Some pale paint marks on the chair. The background is a white room, a drip of paint on the wall to the upper right. Sticks lean into the wall at an angle behind the chair.
so what are you thinking?
Marker 2 00:02:30:00 traffic sounds
Figure framed head and shoulders against white wall. Single pin in wall upper left, pencil line marks a level. Shot angled upwards. Head three-quarters turned to right. Chin raised, eyes looking out of frame downwards to right. Brows furrowed.
press record as you're playing
Marker 3 00:05:00:00
Entreaty/ emphasis.
Seated figure framed centrally in shot. Left hand extended palm upwards .
Direct eye contact. Light falls obliquely from the window to the right bleaching the left side of the face.
Drips on wall, trailing electric cables, blue painted panel to right of shot.
do what I'm doing right now
Tuesday, 25 January 2011
Wednesday, 15 December 2010
Wednesday, 17 November 2010
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