20dolla

bank holiday

the technical composition of capital

morph

 

http://oldeuropeanculture.blogspot.co.uk/2015/03/blagotin.html

http://masonlindroth.tumblr.com/archive

WAR OR LAND // YOU ROGUES

http://thomas-spence-society.co.uk/3.html

beads < - >shells< - > stones

beads<  -  >shells< - > stones

Gifford states that such small pieces of calcite or aragonite could not definitely be classed as "money stone." They may actually be shell, he says, as the formation of calcite and aragonite occur in both inorganic and organic forms.

Mmbul, Gaw, Fe' or Rai, Yar, and Reng

Two Chiefs of Yap Island Western Caroline Islands
with three perforated stones

Rai, or stone money, are large, circular stone disks carved out of limestone formed from aragonite and calcite crystals. Rai stones were mined in Palau and transported for use to the island of Yap. They have been used in trade by the locals and are described by some observers as a form of currency.
There are five major types of rai stone monies:Mmbul, Gaw, Fe' or Rai, Yar, and Reng.
The considered value of a specific stone is based on its size and craftsmanship and also on the history of the stone. If many people—or no one at all—died when the specific stone was transported, or a famous sailor brought it in, the value of the rai stone increases. Rai stones were and still are used in rare, important social transactions such as marriage, inheritance, political deals, sign of an alliance, ransom of the battle dead or, rarely, in exchange for food. Many of them are placed in front of meeting houses or along pathways.
Ownership is transferred without physically relocating the stones.
- See more at: http://www.maritimeheritage.org/ports/gilbertIslands.html#sthash.vEhsXQWS.dpuf

Two Chiefs of Yap Island Western Caroline Islands 
with three perforated stones

Rai, or stone money, are large, circular stone disks carved out of limestone formed from aragonite and calcite crystals. Rai stones were mined in Palau and transported for use to the island of Yap. They have been used in trade by the locals and are described by some observers as a form of currency.
There are five major types of rai stone monies: Mmbul, Gaw, Fe' or Rai, Yar, and Reng.
The considered value of a specific stone is based on its size and craftsmanship and also on the history of the stone. If many people—or no one at all—died when the specific stone was transported, or a famous sailor brought it in, the value of the rai stone increases. Rai stones were and still are used in rare, important social transactions such as marriage, inheritance, political deals, sign of an alliance, ransom of the battle dead or, rarely, in exchange for food. Many of them are placed in front of meeting houses or along pathways.
Ownership is transferred without physically relocating the stones.

http://www.sil.si.edu/smithsoniancontributions/HistoryTechnology/pdf_hi/SSHT-0023.pdf

Federal Reserve Bank of Cleveland, Island Money, by Michael F. Bryan: 
Consider the case of the Irish American David O’Keefe from Savannah, Georgia, who, after being shipwrecked on Yap in the late nineteenth century, returned to the island with a sailing vessel and proceeded to import a large number of stones in return for a bounty of Yapese copra (coconut meat). The arrival of O’Keefe (and other Western traders) increased the number and size of the stones being brought back to the island, and by one accounting, Yap stones went from being “very rare” in 1840 to being plentiful—more than 13,000 were to be found on the island by 1929. No longer restricted by shell tools and canoes, the largest stones arriving grew from four feet in diameter to the colossal 12-foot stones that are now a part of monetary folklore. Yet the great infusion of stones did not inflate away their value. Since the stones of Captain O’Keefe were obviously more easily obtained, they traded on the island at an appropriately reduced value relative to the older stones gotten at much greater cost. In essence, O’Keefe and other Westerners were bringing in large numbers of “debased” stones that could easily be identified by the Yapese.

The following portion of the history of the stone money is agreed upon.

a. Urun and Tamangiro, from Af Village, in Tamil Munici- pality, went to the Palau Islands and obtained three pieces of stone money. They gave the larger piece to the people of Af Village. By agreement between them, Urun retained one of the smaller ones and Tamangiro the other smaller one. The piece in question in this action is the one retained by Urun in this division.

b. Urun's house burned down and the people of Af Village helped him rebuild it. In payment of this assistance, Urun gave the stone money now in question to the people of Af Village.

c. During a "tarn" celebration given by Af Village, the people of Dechumui Village put on a dance about people going on a trip and, in appreciation for this dance, the people of Af Village gave the stone money in question, among other things, to the people of Dechumur Village and the stone money was removed to Dechumur Village and remained there until about January 15, 1960.

d. Some people from Dechumur Village made a trip to Palau and brought more stone money of various sizes. The piece brought in on this trip by Tamag was the same size as that given by Af Village to Dechumur Village, and this piece brought in by Tamag was given to Af Village and the piece now in question given to Tamag in exchange for the one he brought in.

e. Tamag gave the piece now in question to his brother Fazagol when the latter was about to build a house. Fazagol gave this stone money to Puguu in payment for some tin roofing for the house.

f.    On or about January 15, 1960, the defendant Pong, with a group of men gathered by him, removed the stone money in question from Dechumur Village over the protests of the plaintiff Choo who was present during part of the removal, protested that the stone money belonged to him, and told them not to remove it. Later, on Pong's authorization, the stone money was shipped to the Money Museum of the National Bank of Detroit, Michigan, in accordance with the agreement of sale with Pong under which he received $125.00 for the stone money.

schwitters ursonate on electric moneytree

The Stereoscope and the Stereograph

Form is henceforth divorced from matter. In fact, matter as a visible object is of no great use any longer, except as the mould on which form is shaped. Give us a few negatives of a thing worth seeing, taken from different points of view, and that is all we want of it. Pull it down or burn it up, if you please. We must, perhaps, sacrifice some luxury in the loss of color; but form and light and shade are the great things, and even color can be added, and perhaps by and by may be got direct from Nature.
There is only one Coliseum or Pantheon; but how many millions of potential negatives have they shed,—representatives of billions of pictures,—since they were erected! Matter in large masses must always be fixed and dear; form is cheap and transportable. We have got the fruit of creation now, and need not trouble ourselves with the core. Every conceivable object of Nature and Art will soon scale off its surface for us. Men will hunt all curious, beautiful, grand objects, as they hunt the cattle in South America, for their skins, and leave the carcasses as of little worth.
The consequence of this will soon be such an enormous collection of forms that they will have to be classified and arranged in vast libraries, as books are now. The time will come when a man who wishes to see any object, natural or artificial, will go to the Imperial, National, or City Stereographic Library and call for its skin or form, as he would for a book at any common library. We do now distinctly propose the creation of a comprehensive and systematic stereographic library, where all men can find the special forms they particularly desire to see as artists, or as scholars, or as mechanics, or in any other capacity.


Again, we must have special stereographic collections, just as we have professional and other special libraries. And as a means of facilitating the formation of public and private stereographic collections, there must be arranged a comprehensive system of exchanges, so that there may grow up something like a universal currency of these bank-notes, or promises to pay in solid substance, which the sun has engraved for the great Bank of Nature.

The next European war will send us stereographs of battles. It is asserted that a bursting shell can be photographed. The time is perhaps at hand when a flash of light, as sudden and brief as that of the lightning which shows a whirling wheel standing stock still, shall preserve the very instant of the shock of contact of the mighty armies that are even now gathering. The lightning from heaven does actually photograph natural objects on the bodies of those it has just blasted,—so we are told by many witnesses. The lightning of clashing sabres and bayonets may be forced to stereotype itself in a stillness as complete as that of the tumbling tide of Niagara as we see it self-pictured.
We should be led on too far, if we developed our belief as to the transformations to be wrought by this greatest of human triumph over earthly conditions, the divorce of form and substance. Let our readers fill out a blank check on the future as they like,—we give our indorsement to their imaginations beforehand. We are looking into stereoscopes as pretty toys, and wondering over the photograph as a charming novelty; but before another generation has passed away, it will be recognized that a new epoch in the history of human progress dates from the time when He who

never but in uncreated light
Dwelt from eternity—

took a pencil of fire from the hand of the "angel standing in the sun," and placed it in the hands of a mortal.

Oliver Wendell Holmes

h/andover

i promise...

'Papa! what's money?'

On one of these occasions, when they had both been
perfectly quiet for a long time, and Mr Dombey only
knew that the child was awake by occasionally
glancing at his eye, where the bright fire was
sparkling like a jewel, little Paul broke silence
thus:
'Papa! what's money?'
The abrupt question had such immediate reference to
the subject of Mr Dombey's thoughts, that Mr Dombey
was quite disconcerted.
'What is money, Paul?' he answered. 'Money?'
'Yes,' said the child, laying his hands upon the
elbows of his little chair, and turning the old face
up towards Mr Dombey's;
'what is money?'
Mr Dombey was in a difficulty. He would have liked
to give him some explanation involving the terms
circulating-medium, currency, depreciation of
currency', paper, bullion, rates of exchange, value
of precious metals in the market, and so forth; but
looking down at the little chair, and seeing what a
long way down it was, he answered:
'Gold, and silver, and copper. Guineas, shillings,
half-pence. You know what they are?'


Charles Dickens / Dombey and Son / Chapter 8