Showing posts with label paul metcalf. Show all posts
Showing posts with label paul metcalf. Show all posts

Sunday, 9 June 2013

I have made a heap of all that I could find

 from http://isola-di-rifiuti.blogspot.co.uk/2012/03/paul-metcalf-stray-notes.html

To put one thing against another. Metcalf (Lillabulero interview) regarding “looking for the personal in the handling of the material, the way the material itself is handled”:
Isn’t this all modern painting? I mean, I’ve learned a lot from the modern painters. I remember a show I saw years ago in Asheville, North Carolina, by Josef Albers. And the things that he was doing, simply by putting this color next to that color, he was a man who did that as well as anybody, as you well know. In looking at those pictures, I got a sense of tremendous overpowering emotion that went on, that made him put that special relation of colors and designs together. And if this comes through in my writing, that’s what I’m aiming for, for the reader to get the thrill that comes to me from the juxtaposition of these materials . . . And this has been carried now, beyond Albers . . . I’m thinking particularly of Robert Rauschenberg, where the election, the choosing of materials for juxtaposition, is not just colors but solid images . . . He not only chooses, but there is a subtle pattern to his choices, that gives a structure to his work, to the body of it, as a whole. So you have a double excitement: first, the individual painting, and then its place in relation to the rest of his work.
(See William Corbett’s piece on Metcalf that begins with Nennius’s “I have made a heap of all that I could find” and ends with Arthur Dove: “There is an Arthur Dove collage in Boston’s Museum of Fine Arts that puts me in mind of Metcalf. Mussel shells are nailed in a row below a hill of sand and pebbles, and on the hill a touring car clipped from a magazine advertisement carries the family on what must be a Sunday drive. This scene is seen through tree branches set in rows.” Metcalf reviewed Michel Butor’s fragmentary, factual, quote-filled—signs, slogans, newspapers, catalog detritus along with Jefferson, Franklin, William Penn, Louis Sullivan, &c.—1963 Mobile, A Study for a Representation of the United States for Corbett’s magazine Fire Exit.)

http://isola-di-rifiuti.blogspot.co.uk/2012/05/metcalf-melville.html

https://denniscooperblog.com/spotlight-on-paul-metcalf-genoa-a-telling-of-wonders-1965/

Thursday, 21 April 2011

pearl diving


















after
hilliard / a treatise concerning the arte of limning / 1598

And Columbus, on the third voyage, sailing in the Gulf of Paria, observing the mangroves lining the shore, with tiny oysters clinging to their roots… the oyster shells open, to catch from the mangrove leaves the dewdrops that engender pearls

metcalf / genoa /54

Wednesday, 8 September 2010

pearl diving


































… we were forc'd to season our indian Corn… with little Frogs that the Natives gather'd in the Meadows…

… we lived on wild garlick, which we were obliged to grub up from under the snow.

… the entrails of deer, full of blood and half-putrefied excrement, boiled fungus, decayed oysters…

Apalache/ Paul Metcalf

Friday, 9 July 2010

apalache


















the micmacs

thought them witches


they could raise

a fog,

through which

to escape

Sunday, 28 March 2010

dusty evolution

The illusion I have is of being split from head to toe, as in hemiplegia or an imperfect twinning process - with separate circulation on each side, the blood rushing furiously. There are no recalls, no flashing images, no digging in and rooting of the body - rather, the beginning of a journey such as I have never taken before. Paul Metcalf, Genoa, 1965 p 33

Saturday, 13 March 2010

gates


































(in ancient Rome the double barbican gate in the Forum - dedicated to Janus, supreme janitor - was closed during times of peace, open only in war… Paul Metcalf, Genoa, 1965 p166