Kräuterhexe

HILFE

5 AUG 1923

 

ball stone

cedar

animal architectures

resin print of mouse neurones // university of lethbridge digital physicalisation lab

 

beaver sculpture // lethbridge wetlands

witch posts

http://objects.prm.ox.ac.uk/pages/PRMUID127939.html

Willam George Mitchell

Lorrimore Square Totem Pole Remains by csm_photosculpture on Sketchfab

she's gonna do it again

automatic crucifixion

decomposition

dodder

japanese toys //

The Ningyo-Do Bunko Database has more than 100 albums of late 19th/early 20th century watercolour sketches of toy designs.

scarcity & substitutes

mud walk

irl

such wow
so nishimura-san

hokusai's wooden horse

Dreamwood By Adrienne Rich

In the old, scratched, cheap wood of the typing stand

there is a landscape, veined, which only a child can see

or the child’s older self, a poet,

a woman dreaming when she should be typing

the last report of the day. If this were a map,

she thinks, a map laid down to memorize

because she might be walking it, it shows

ridge upon ridge fading into hazed desert

here and there a sign of aquifers

and one possible watering-hole. If this were a map

it would be the map of the last age of her life,

not a map of choices but a map of variations

on the one great choice. It would be the map by which

she could see the end of touristic choices,

of distances blued and purpled by romance,

by which she would recognize that poetry

isn’t revolution but a way of knowing

why it must come. If this cheap, mass-produced

wooden stand from the Brooklyn Union Gas Co.,

mass-produced yet durable, being here now,

is what it is yet a dream-map

so obdurate, so plain,

she thinks, the material and the dream can join

and that is the poem and that is the late report.

October/November 1987

foreign objects

tied

Inuit Cartography

 

Kuniit's three wooden (tree) maps show the journey from Sermiligaaq to Kangertittivatsiaq. Map to the right shows the islands along the coast, while the map in the middle shows the mainland and is read from one side of the block around to the other. Map to the left shows the peninsula between the fjords Sermiligaaq and Kangertivartikajik." From "Topografisk Atlas Grønland", published by Det Kongeglige Danske Geografiske Selskab, 2000 (pg 171).  

http://nuukmarluk.weebly.com/blog/inuit-cartography

WB wooden horsey

Lehrstücke

Gestus

Gestus, as the embodiment of an attitude, carries at least two distinct meanings in Brecht's theatre: firstly, the uncovering or revealing of the motivations and transactions that underpin a dramatic exchange between the characters; secondly, the 'epic' narration of that character by the actor (whether explicitly or implicitly)
Henry Müller The Geste of Citation: Three Points

gibbons /// cosimo panel

James Shirley. 1596–1666

288. Death the Leveller

THE glories of our blood and state
Are shadows, not substantial things;
There is no armour against Fate;
Death lays his icy hand on kings:
Sceptre and Crown	5
Must tumble down,
And in the dust be equal made
With the poor crookèd scythe and spade.
Some men with swords may reap the field,
And plant fresh laurels where they kill:	10
But their strong nerves at last must yield;
They tame but one another still:
Early or late
They stoop to fate,
And must give up their murmuring breath	15
When they, pale captives, creep to death.
The garlands wither on your brow,
Then boast no more your mighty deeds!
Upon Death's purple altar now
See where the victor-victim bleeds.	20
Your heads must come
To the cold tomb:
Only the actions of the just
Smell sweet and blossom in their dust.