Showing posts with label national archives. Show all posts
Showing posts with label national archives. Show all posts
Monday, 23 September 2013
realizing it's time to move on
a series of copyright acts, starting in 1839, were introduced to protect ‘ornamental designs’ – the decorative elements of an object rather than its function, which could be patented.
Sunday, 3 April 2011
supply lines
CAB /24/ 139
Report on Revolutionary organizations in the UK / Special Branch / Oct 5th 1922
Communists were also instructed that in the event of war they were on no account to take up a hostile attitude or one of pacifism, but to carry propaganda in the Army and if necessary, fire in the air.
There has been some propaganda in favour of obstructing the transport of troops and of war material, but the result has, so far, been negligible.
On September 26th the Poplar Unemployed passed a resolution to picket all ships in the east India dock which were being used for transport of ammunition to the Near East
Labels:
border,
messengers,
national archives,
protest,
transport,
war
Saturday, 15 January 2011
for 30 elm trees set in the wilderness
E192/15/20
E192/15/20
Friday, 5 March 2010
Friday, 26 February 2010
LC2/4/5

deliveries of blacke
Cloth for Liveries hangings … and all other Silke & furniture
whatever employed by diverse Artificers
Jo: De Crites
Item for … painting & guilding a
Caryett in… a Garter and …
the … Princs Armes in it guilt in …
fine gold and bi…
Item for painting and guilding of
a … … … a lion and their …
over it …
Itm for painting and guilding ……
fine gold a Coronet … … the …
… in the Sonbeames upon Taffata
Itm for painting and guilding …
fine gold a great Banner upon Taffata
for the Earldome of …
Itm for painting and guilding …
fine gold a great Banner upon Taffata
for the Earldome of Cornwall
Itm for guilding … fine gold and
painting a banner upon Taffata for
the Principalitie of wales
Itm for painting and guilding no 8
fine gold a great banner for …
Itm for painting and guilding no 8fine
gold a great banner for
Itm for painting and guilding no 8 fine
gold a great banner for the kingdome
of Scotland prt
Itm for painting and guilding no 8 fine
gold a Banners of : upon …
and … Taffata …
Itm for painting and guilding no 8
fine gold … banneretts upon …
and bleu Tafffata at … …
Itm for painting and guilding no 8
fine gold … dozen of penetts upon Taffata at …
Saturday, 4 April 2009
Thursday, 2 April 2009
Wednesday, 1 April 2009
Tuesday, 31 March 2009
Wednesday, 25 March 2009
words
paleo
graphy tutorial
...Before there can be any interpretation of dreams, three secular fallacies need to be dismissed. The first is the philosophers' prejudice, which holds that dreams are without objective, reasonable connection and are unworthy of interpretation. As opposed to Hegel [whom, justifiably, he cites only indirectly], Freud prefers to follow the lay opinion, that assumes "a meaning, though a hidden one" in the dream. But popular dream interpretation has remained translation in two complementary ways: it makes the whole dream "symbolic" of global meanings, or it translates parts of a dream by "mechanically transferring" each part "into another sign having a known meaning, in accordance with a fixed key." Both techniques, the analogical and the digital, presuppose that the two media, the dream and language, are either similar or co-extensive. The new science rejects these two views as naive...
Friedrich A. Kittler, Discourse Networks 1800 - 1900, Stanford 1990
graphy tutorial...Before there can be any interpretation of dreams, three secular fallacies need to be dismissed. The first is the philosophers' prejudice, which holds that dreams are without objective, reasonable connection and are unworthy of interpretation. As opposed to Hegel [whom, justifiably, he cites only indirectly], Freud prefers to follow the lay opinion, that assumes "a meaning, though a hidden one" in the dream. But popular dream interpretation has remained translation in two complementary ways: it makes the whole dream "symbolic" of global meanings, or it translates parts of a dream by "mechanically transferring" each part "into another sign having a known meaning, in accordance with a fixed key." Both techniques, the analogical and the digital, presuppose that the two media, the dream and language, are either similar or co-extensive. The new science rejects these two views as naive...
Friedrich A. Kittler, Discourse Networks 1800 - 1900, Stanford 1990
Tuesday, 24 March 2009
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