Tuesday, 6 March 2018
Bilocation
Spectral evidence
Spectral evidence was testimony that the accused witch's spirit (i.e. spectre) appeared to the witness in a dream or vision (for example, a black cat or wolf). The dream or vision was admitted as evidence. Thus, witnesses (who were often the accusers) would testify that "Goody Proctor bit, pinched, and almost choked me," and it would be taken as evidence that the accused were responsible for the biting, pinching and choking even though they were elsewhere at the time.
Thursday, 10 October 2013
spectres and fossils
Saturday, 1 June 2013
sibyl
When the urge to play overcomes an adult, this is not simply a regression to childhood. To be sure, play is always liberating. Surrounded by a world of giants, children use play to create a world appropriate to their size. But the adult, who finds himself threatened by the real world and can find no escape, removes its sting by playing with its image in reduced form. The desire to make light of an unbearable life has been a major factor in the growing interest in children’s games and children’s books since the end of the war.” (Benjamin “Old Toys” 100)
Sunday, 10 March 2013
Saturday, 16 February 2013
Iskra
In 1966 Johnnie Williamson pointed to the first translation by Helen MacFarlane of The Communist Manifesto hanging on the wall protected in glass casing. “A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism “ is how she rendered the passage more familiarly known to us as “A spectre is haunting Europe – the spectre of Communism.” Look into the etymology or the philology of “hobgoblin” and “spectre” and you’ll find the difference between revolutionary intellectual abstraction and the gothic of the peasant’s lore of the commons. Be that as it may.
http://www.counterpunch.org/2013/02/01/archiving-with-may-day-rooms/#.UQ_Ga2QCs7k.facebook
Thursday, 24 January 2013
sprites
Originally, sprites were a method of integrating unrelated bitmaps so that they appeared to be part of the normal bitmap on a screen, such as creating an animated character that can be moved on a screen without altering the data defining the overall screen.
Z depth Sprites create an effective illusion when
- the image inside the sprite already depicts a three dimensional object;
- the animation is constantly changing or depicts rotation;
- the sprite exists only shortly;
- the depicted object has a similar appearance from many common viewing angles (such as something spherical);
- the perspective of the object from the viewer cannot possibly change fast enough for the viewer to discern a difference from true 3D geometry, as in the case of object a long distance away from the viewer in 3D space.
- the viewer accepts that the depicted object only has one perspective (such as small plants or leaves).
Monday, 16 April 2012
1985 / Museu Picasso / Entrada Gratuita
Only one figure makes me uneasy, the humble-looking attendant (known as a guardadamas) behind Maribarbola, who looks transparent; Clark
Saturday, 5 November 2011
Occurrences on Prince Henry’s Death 6th November 1612
The same day se’ennight he died there fell out a very ridiculous accident. A very handsome young fellow, much about his age and not altogether unlike him, came stark naked to St. James’s, while they were at supper, saying, he was the Prince’s ghost from Heaven with a message to the King: but by no manner of examination or threatening could they get more out of him, or who set him at work. Some say he is simple, others mad. He belongs to one of the Chancery.
All the penance they gave him was two or three lashes, which he endured, as it seemed, without sense, and keeping him naked as he was all night and the next day in the Porter’s Lodge, where thousands came to see him. The King sent forth for him to be dismissed without more ado or inquiry.
Wednesday, 3 August 2011
Sunday, 3 April 2011
Portrait of Perceval Hart as child, in fawn costume
£ 1,050 GBP
…………
The fifty-first generation of Maas-Neotek biochips conjured up an indistinct figure on the seat beside her, a boy out of some faded hunting print, legs crossed casually in tan breeches and riding boots.
Mona Lisa Overdrive - William Gibson p9
Saturday, 2 April 2011
unknown watchman / unknown painter / 1560

remember : them : that wache. and ward for you : their prince : and : realme : and suche. as doo' wythe, blvdy, swets : ofte tymes, deserve to gayne :

LAYING A GHOST (12 S. iii. 504). The
service as performed at Castle Acre in Norfolk,
early in the nineteenth century, consisted in
requisitioning the services of three of the
neighbouring clergy, who read in rotation
verses of Scripture, the ghost also reading
and keeping pace with them. If the clerics
managed to get a verse ahead, their power
was established and - the ghost laid.
Sunday, 27 March 2011
Wednesday, 11 August 2010
visor effect
The armour, this 'costume' which no stage production will ever be able to leave out, we see it cover from head to foot, in Hamlet's eyes, the supposed body of the father. We do not know whether it is or is not part of the spectral apparition. This protection is rigorously problematic (problema is also a shield) for it prevents perception from deciding on the identity that it wraps so solidly in its carapace. The armour may be but the body of a real artifact, a kind of technical prosthesis, a body foreign to the spectral body that it dresses, dissimulates, and protects, masking even its identity. The armour lets one see nothing of the spectral body, but at the level of the head and beneath the visor, it permits the so-called father to see and to speak. Some slits are cut into it and adjusted so as to permit him to see without being seen, but to speak in order to be heard. The helmet, like the visor, did not merely offer protection: it topped off the coat of arms and indicated the chief's authority, like the blazon of his nobility.
Derrida/ Specters of Marx p8
Monday, 5 July 2010
Two Way Vision
William Wordsworth
Complete Poetical Works
TO A PAINTER
The picture which gave occasion to this and the following Sonnet was from the pencil of Miss M. Gillies, who resided for several weeks under our roof at Rydal Mount.
ALL praise the Likeness by thy skill portrayed;
But 'tis a fruitless task to paint for me,
Who, yielding not to changes Time has made,
By the habitual light of memory see
Eyes unbedimmed, see bloom that cannot fade,
And smiles that from their birth-place ne'er shall flee
Into the land where ghosts and phantoms be;
And, seeing this, own nothing in its stead.
Couldst thou go back into far-distant years,
Or share with me, fond thought! that inward eye,
Then, and then only, Painter! could thy Art
The visual powers of Nature satisfy,
Which hold, whate'er to common sight appears,
Their sovereign empire in a faithful heart.
1841.



