Showing posts with label doll. Show all posts
Showing posts with label doll. Show all posts

Saturday, 25 February 2017

the robocene and other presents // encounters, abductions and contagions

 Your people will change. Your young will be more like us and ours more like you. Your hierarchical tendencies will be modified and if we learn to regenerate limbs and reshape our bodies, we’ll share that ability with you. That’s part of the trade. We’re overdue for it. Octavia E. Butler, 1987, p.40


  Some Remarks on the Legacy of Madame Francine Descartes – First Lady and Historian of the Robocene – on the Occasion of 500 Years Since her Unlawful Watery Execution.
by Dominic Pettman
It seems likely that the (highly suspect) story of Rene Descartes’s robot daughter has its origins in the middle third of the 18th century — post-dating the philosopher’s death by a considerable margin, and evidently part of more general Enlightenment polemics over materialism, libertinage, and the embattled pieties of conventional religion. The tale itself? Multiple versions are known, but the core of the scandal goes like this: sailors aboard a vessel bearing Descartes to Sweden in 1649 are said to have discovered, in his luggage, a disorienting lifelike girl-doll; when she sat up and moved about they fell upon her and—decrying witchcraft—hurled her into the sea. The backstory to the legend is sad: Descartes’ actual (illegitimate) daughter, Francine, succumbed to a sudden illness at the tender age of five, and the loss deeply affected her father. The displacement of this real tragedy by an off-color farce of autonomic substitution speaks volumes on the stakes of mechanico-mathematical thought across the watershed of modernity. 



http://www.bloomsbury.com/uk/abstract-sex-9781441153609/

Dismissed for a long time, symbiogenesis is acquiring a constitutive scientific importance, supported by molecular biology and biochemistry’s questioning of the classical division between plant and animal kingdom and the classifications based on this division. Symbiotic processes now in fact seem to explain the emergence of the cellular and genetic modifications of sex and reproduction, disrupting the the ‘zoocentrism’ of the theory of evolution (the priority of Homo Sapiens) in demonstrating that ‘each animal cell is, in fact, an uncanny assembly, the evolutionary merger of distinct bacterial metabolisms.’ (Sagan, 1992, p.363)


Sunday, 2 December 2012

olympia ah ah // Whirl about, my wooden doll!


The concert had finished, the ball began. 'To dance with her - with her!' That was the aim of all Nathaniel's desire, of all his efforts; but how to gain courage to ask her, the queen of the ball? Nevertheless - he himself did not know how it happened - no sooner had the dancing begun than he was standing close to Olympia, who had not yet been asked to dance. Scarcely able to stammer out a few words, he had seized her hand. Olympia's hand was as cold as ice; he felt a horrible deathly chill thrilling through him. He looked into her eyes, which beamed back full of love and desire, and at the same time it seemed as though her pulse began to beat and her life's blood to flow into her cold hand. And in the soul of Nathaniel the joy of love rose still higher; he clasped the beautiful Olympia, and with her flew through the dance. He thought that his dancing was usually correct as to time, but the peculiarly steady rhythm with which Olympia moved, and which often put him completely out, soon showed him that his time was most defective. However, he would dance with no other lady, and would have murdered anyone who approached Olympia for the purpose of asking her. But this only happened twice, and to his astonishment Olympia remained seated until the next dance, when he lost no time in making her rise again.
Had he been able to see any other object besides the fair Olympia, all sorts of unfortunate quarrels would have been inevitable. For the quiet, scarcely suppressed laughter which arose among the young people in every corner was manifestly directed towards Olympia, whom they followed with very curious glances - one could not tell why. Heated by the dance and by the wine, of which he had freely partaken, Nathaniel had laid aside all his ordinary reserve. He sat by Olympia with her hand in his and, in a high state of inspiration, told her his passion, in words which neither he nor Olympia understood.
Yet perhaps she did; for she looked steadfastly into his face and sighed several times, 'Ah, ah!' Upon this, Nathaniel said, 'Oh splendid, heavenly lady! Ray from the promised land of love - deep soul in whom all my being is reflected !' with much more stuff of the like kind. But Olympia merely went on sighing, 'Ah - ah!'

ETA Hofmann / The Sandman


The high steeple of the townhall was already casting its gigantic shadow over the market-place.
'Oh,' said Clara, 'let us climb it once more and look out at the distant mountains!'
No sooner said than done. Nathaniel and Clara both ascended the steps, the mother returned home with the servant, and Lothaire, who was not inclined to clamber up so many stairs, chose to remain below. The two lovers stood arm-in-arm on the highest gallery of the tower, and looked down upon the misty forests, behind which the blue mountains rose like a gigantic city.
'Look there at that curious little grey bush,' said Clara. 'It actually looks as if it were striding towards us.'
Nathaniel mechanically put his hand into his breast pocket - he found Coppola's telescope, and pointed it to one side. Clara was in the way of the glass. His pulse and veins leapt convulsively. Pale as death, he stared at Clara, soon streams of fire flashed and glared from his rolling eyes, he roared frightfully, like a hunted beast.Then he sprang high into the air and. punctuating his words with horrible laughter, he shrieked out in a piercing tone, 'Spin round, wooden doll! - spin round!' Then seizing Clara with immense force, he tried to hurl her down, but with the desperate strength of one battling against death she clutched the railings.
Lothaire heard the' raging of the madman - he heard Clara's shriek of agony - fearful forebodings darted through his mind, he ran up, the door to the second flight was fastened, Clara's shrieks became louder and still louder. Frantic with rage and anxiety, he threw himself against the door, which finally burst open. Clara's voice was becoming weaker and weaker. 'Help - help save me!' With these words the voice seemed to die on the air.
'She is gone - murdered by that madman!' cried Lothaire.
The door of the gallery was also closed, but despair gave him a giant's strength, and he burst it from the hinges. Heavens! Grasped by the mad Nathaniel, Clara was hanging in the air over the gallery - with one hand only she still held one of the iron railings. Quick as lightning, Lothaire caught his sister and drew her in, at the same moment striking the madman in the face with his clenched fist to such effect that he reeled and let go his prey.
Lothaire ran down with his fainting sister in his arms. She was saved. Nathaniel went raging about the gallery, leaping high in the air and crying, 'Circle of fire'spin round! spin round!'
 

Friday, 31 August 2012

Diana, Princess of Wales Memorial Fund vs Franklin Mint


Following the death of Diana, Princess of Wales, the Diana, Princess of Wales Memorial Fund was granted intellectual property rights over her image.[2] In 1998, after refusing the Franklin Mint an official license to produce Diana merchandise, the fund sued the company, accusing it of illegally selling Diana dolls, plates and jewellery.[3] In California, where the initial case was tried, a suit to preserve the right of publicity may be filed on behalf of a dead person, but only if that person is a Californian. The Memorial Fund therefore filed the lawsuit on behalf of the estate, and upon losing the case were counter sued by Franklin Mint in 2003. In November 2004, the case was settled out of court with the Diana Memorial Fund agreeing to pay £13.5 million (US $21.5 million) to charitable causes on which both sides agreed. In addition to this, the Diana, Princess of Wales Memorial Fund had spent a total of close to £4 million (US $6.5 million) in costs and fees relating to this litigation, and as a result froze grants allocated to a number of charities.[4]  wikipedia