Monday, 30 July 2012
RIP Chris Marker
He liked the fragility of those moments suspended in time. Those
memories whose only function had been to leave behind nothing but
memories. He wrote: I've been round the world several times and now only
banality still interests me. On this trip I've tracked it with the
relentlessness of a bounty hunter. At dawn we'll be in Tokyo.
telescopes in the mist
As for me, I am busy pointing my telescope through the bloody mist at a mirage of the nineteenth century, which I am trying to reproduce based on the characteristics that it will manifest in a future state of the world, liberated from magic. Of course, I first have to build myself this telescope.
Friday, 27 July 2012
protocols of escape / suffocating town
...besides, people around here are obsessed with anything like that -safari parks, dolphinaria, stunt flying, it's all the same to them, they're forever dressing up as beefeaters or Hanoverian infantry and re-enacting the battle of Austerlitz...
ballard/ the unlimited dream company
the "political action" which is at stake ... is ... liturgy [ returned to its etymological meaning of "public practice".]
agamben / the kingdom & the glory
ballard/ the unlimited dream company
the "political action" which is at stake ... is ... liturgy [ returned to its etymological meaning of "public practice".]
agamben / the kingdom & the glory
Thursday, 26 July 2012
zangezi
In 1923, Vladimir Tatlin designed, directed, and starred in a performance of Velimir
Khlebnikov's play Zangezi that was presented by an amateur
troupe at the Museum of Artistic Culture in Petrograd. Khlebnikov
had died earlier in the year, and the performance was to be
a memorial to Tatlin's favorite poet. To Khlebnikov's construction
of words, where sound was the principle building element, Tatlin
attempted to find a counterpart in tangible construction, built
with a variety of materials in different surfaces and shapes.
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